The study of nineteenth-century Italian sculpture has not yet met the interest of scholars as has happened with painting.
The objective artistic quality of the sculptors, the unparalleled technical ability and a documented testimony of an Italian nineteenth century more important and eloquent than painting have recently led to a work of rediscovery and revaluation but a growing affirmation of collecting on the American, British and Japanese markets has unfortunately not yet been followed by that of the national market which continues to be a reflection of the foreign one rather than a light.
From this perspective, with great conviction, I am committed to valorizing the work of the sculptors who have expressed themselves in our territory with the most diverse materials and who have been first-rate exponents of all artistic currents. This also happens through relationships with foundations and institutes recognized for the production of “authentic” documents which are considered an indispensable document for success on the art market.