Among the categories of works that feed the antiques market, antique furniture represents my main passion. A passion that I have never stopped cultivating ever since, as a thirteen-year-old, I chose the Amleto Bertoni Art Institute in Saluzzo for my higher studies precisely because of the specialization in “woodworking and restoration of antique furniture”. Since then, thanks to this interest, I have expanded my knowledge countless times and have seen many variations of the same object: let’s think about how different a chair is compared to the geographical area or the era in which it was made and yet its basic function has never changed. Nowadays, seventeenth-century furniture in dark and carved wood is no longer the most coveted on the market, but rather furnishings with great personality and refined execution aimed at the eighteenth-nineteenth century bourgeoisie. As taste trends change, only one aspect continues to gratify the buyer of furniture, and antique works in general, regardless of the times and the fickleness of fashion: the need for an authentic object.
